Six Metamorphoses after Ovid, op. 49, by Benjamin Britten, Britten composed this work for solo oboe for the oboist Joy Boughton who premiered the piece. Benjamin Britten. Metamorphoses (6) after Ovid, for oboe solo, Op. Composition Information ↓; Description ↓; Parts/Movements ↓; Appears On ↓. A gap of fifteen years separates the somewhat experimental exuberance of Temporal Variations from the assured mastery of the Six Metamorphoses after Ovid.

Author: Daigore Mijas
Country: Dominica
Language: English (Spanish)
Genre: Photos
Published (Last): 16 May 2018
Pages: 420
PDF File Size: 19.50 Mb
ePub File Size: 3.24 Mb
ISBN: 320-6-49856-154-6
Downloads: 27691
Price: Free* [*Free Regsitration Required]
Uploader: Tezragore

Metamorphoses (6) after Ovid, for oboe solo, Op. 49

InBritten was primarily concerned with writing his opera Billy Budd. The sly languor of Pan, the ill-advised daring of Phaeton, the sad immobility of Niobe, the tipsy revelries of Bacchus and his troop of boys, Narcissus contemplating his own image, the tumbling fountain of Arethusa—all are caught in a perfectly conceived outdoor music that must have yielded pure enchantment at its first performance over the waters on that June afternoon.

Home News Contacts Copyright. British Music for Solo Oboe.

Six Metamorphoses after Ovid, op. 49, by Benjamin Britten, 1951.

Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults. Juni in Thorpeness gespielt wurden. In the same year Britten composed six little pieces for solo oboe, to be performed by Joy Boughton daughter of the composer Rutland Boughton during the Aldeburgh Festival.


Retrieved from ” https: Certainly one might well wonder, upon first encountering the Metamorphoses, why Britten chose an instrument as seemingly limited as the oboe.

Night Mail The Prince of the Pagodas Views Read Edit View history. October Total duration: Homage to Paderewski Variations on an Elizabethan Theme Abstract, non-linear use of pseudo-traditional harmonies such as triads, dominant seventh chords with irregular resolutions, etc. Benjamin Britten Collector’s Edition.

Metamorphoses (6) after Ovid, for… | Details | AllMusic

Oboe – Solo and Accompanied. Benjamin Britten Six Metamorphoses after Ovid Benjamin Britten was an enthusiastic composer of music for his close friends and colleagues, including solo works for cello, harp, and oboe. Each of the six sections is based on a character from Roman mythology who is briefly described: Interlude in A Minor Op. Britten has titled his Six Metamorphoses After Ovid using names of the some of the legendary figures who appear in the great Roman poet’s work.

The four-part fourth metamorphosis reflects the atmosphere of a drunken feast or festival. List of compositions by Benjamin Britten Category: By restricting himself so thoroughly, the musical processes can remain pure throughout the six movements.

Yet, upon further acquaintance with the music, it becomes clear that it is these very restrictions that attracted Britten to the instrument and which allow his melodic and harmonic metamorphoses to take center stage, unfolding with great clarity.

  HLMP 2855 PDF

Introspection Late Night Partying. From Wikipedia, the free encyclopedia.

Drinking Hanging Out In Love. Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century megamorphoses the twenty-first.

The work focuses six episodes into musical sequences that give full expression to both Britten ‘s melodic ingenuity and the oboe’s expressive range, which is expanded to netamorphoses far more than just traditional technical idioms and coloristic possibilities.

Romantic Evening Sex All Themes. Six Metamorphoses after Ovid. This page was last edited on 26 Septemberat By virtue of the music being written for a solo instrument, Britten allows briften performer licence to be highly expressive.

Master of the Oboe: Jazz Latin New Age.

Metamorphoses after Britten | Philip Venables

Obviously, the many fermatas and rests brittwn pop up throughout this and the other five movements are not only for the purposes of isolating different musical fragments, but also designed to keep the performer from passing out. The characteristics of each God can therefore be fully represented through the performance.

Six Metamorphoses after Ovid Op.