Home · Sarah Kane – El Amor de Fedra. Sarah Kane – El Amor de Fedra. January 7, | Author: Adrian Grnd | Category: N/A. DOWNLOAD PDF – KB. Sarah kane el amor de fedra descargar. Sys pager – not malware but system restore that you don t want at boot up. Aesthetic. O Amor de Fedra () de Sarah Kane – Inglaterra () Esta versão da tragédia de Fedra e Hipólito, além de mais moderna é muito cruel e perversa.

Author: Bamuro Voodooshicage
Country: Liberia
Language: English (Spanish)
Genre: Life
Published (Last): 16 May 2004
Pages: 156
PDF File Size: 6.56 Mb
ePub File Size: 11.88 Mb
ISBN: 283-5-79136-136-8
Downloads: 53159
Price: Free* [*Free Regsitration Required]
Uploader: Goltihn

Sarah Kane nasceu em 13 de Fevereiro de Today I had to rate my last year’s top 3 favorite books and this was the first one to cross my mind. I read this book about a year ago. That play, and the others that followed, have been produced all over the world. He is described as ‘fat’ and his room is in disarray.

sarah kane El-Amor-de-Fedra(1).pdf – Google Drive

This play takes place entirely in a hotel room. Cover of the Methuen edition. Fsdra trivia or quizzes yet. It is later revealed that Strophe had sex with Theseus on the safah Theseus and Phaedra were married. Sarzh not quite sure what I thought about it or what the message was.

View all 4 comments. Then there is the second period, containing the plays Crave and 4. Preview — Complete Plays by Sarah Kane.

Strophe confronts Hippolytus about the vedra, but he refuses to deny or confirm the allegation, though the subtext implies that he did not. Kane killed herself with a shoelace. Blasted and Phaedra’s Love are reasonably straightforward stories, Cleansed is already a more confusing pastiche of scenes, Crave does not have proper character names anymore and no instructions to actors in fact it seems to be several interstitched monologues, maybe?


Chi ha sofferto come questa donna lo sa. This article on a play from the s is a stub. They push every possible boundary that can exist between kanee and “other” and the results present themselves as a series of seemingly disconnected experiences, unprotected by any coherent sense and – just like in case of a vulnerably exposed individual -opened fatally to the hostile world.

Quando io scrivo, non riesco a dire tutto quello che voglio dire. E questi testi sono belli da far paura.

Mar 13, T for Tongue-tied rated it really liked it Shelves: Fa paura, tremendamente paura. And in Cleansed, sunflowers and daffodils spring up through the floor and grow tall over the characters heads. The play is a modern adaptation of Seneca ‘s Phaedra. Spazio tra gli oggetti, me compresa. NOT to be read all in one sitting. It’s dark and extreme. I just can’t comprehend it how such a huge legacy is compressed into this one book. Ballard, also a master of the 5 plays, one short life.

Often asked myself did that just happen? I read Blasted for a lit course in college, and everyone in my class hated it. Behind the brutality of her plays are very real human emotions, ones that stick with you long after you’ve gotten over the visual horror of a scene. Kane’s plays give almost no opportunity to catch a breath, there’s really no escape once you’re there. Trivia About Complete Plays.


Few thousand jobs gone.

Complete Plays

Paperbackpages. Quanti di noi ci riescono? But that’s the power of Kane – she shocks with impurity, violence and unbearable exposure that bend our mind and eventually break us down in our suddenly not so comfortable plush sits.

All plays are dark, fedrq not what makes them good, it’s just that they’re painfully honest. Ti fa provare repulsione e nausea e allo stesso tempo ti attrae e ti affascina.

May 23, Serena. Come sarag fiori, Come la luce del sole, Come il tramonto. Published May 1st by Methuen first published In some ways, reading the plays as a collection, I an reminded of Beckett, but stronger, harder. A voce forse nessuno, o quasi. O mito de Fedra revisitado, tendo como protagonista a familia real da Inglaterra. Kane once said that the theatre has no memory.

But even if it is so, those plays leave you feeling shocked into new awareness – unnamed, felt under the skin – and saarah make a compelling case for Kane’s vision – maybe not easy but uncompromising, intoxicating and truly unique.

Come se la direzione fosse importante. It has a feel-good ending.

She looked for something in the darkness of the stage to bring back to an audience that is lost and threatened. In letteratura e nel resto della mia vita, se posso scegliere, davanti all’orrore – e al sublime – mi attendo anche allusioni.